Botticelli paintings were perfections of the methods of the previous century. Despite this conservativeness, they also change procedures that were considered traditional to infuse current innovations into them. As evidence, they used a new medium named tempera grassa. In this medium, the egg yolk was mixed with oil to product a more transparent paint.
The finest pigments of the period were utilized in Botticelli paintings. They were applied in scumbles, i.e., thin and opaque layers. However, the reds and greens were glazed more often than not. These pigments produced an exquisite, enamelled effect, from its composition of infinite tonal gradations.
Over time, most of Botticelli paintings lost the fullness of their beauty. Abrasive and over-zealous restoration can take the blame. However, this loss can sometimes be a result of the tendency of colors to become more transparent or change their nature after a few years.
The most refined among the elements of Botticelli paintings are their flesh tones. They were demonstrations of Botticelli's being a superb draughtsman, as evidenced by the tensile lines characterizing the figures in his paintings.
Chalk, pen, bistre and tempera were among the media in which Botticelli perfected his skills. This is very evident in Botticelli paintings. He used paper tinted with roses, violets, yellows and grays. This pioneering technique modelled up figures with whites in the light and modelled them down with darker colors.
The uniqueness in the Botticelli paintings consisting of the Dante illustrations lie in their being executed only in outline. They were initially scratched into the parchment and overdrawn with slate and ink. Some of the ink tracings were done with utmost care, others were less advanced while little progress was evident in the execution of their coloring.
The finest pigments of the period were utilized in Botticelli paintings. They were applied in scumbles, i.e., thin and opaque layers. However, the reds and greens were glazed more often than not. These pigments produced an exquisite, enamelled effect, from its composition of infinite tonal gradations.
Over time, most of Botticelli paintings lost the fullness of their beauty. Abrasive and over-zealous restoration can take the blame. However, this loss can sometimes be a result of the tendency of colors to become more transparent or change their nature after a few years.
The most refined among the elements of Botticelli paintings are their flesh tones. They were demonstrations of Botticelli's being a superb draughtsman, as evidenced by the tensile lines characterizing the figures in his paintings.
Chalk, pen, bistre and tempera were among the media in which Botticelli perfected his skills. This is very evident in Botticelli paintings. He used paper tinted with roses, violets, yellows and grays. This pioneering technique modelled up figures with whites in the light and modelled them down with darker colors.
The uniqueness in the Botticelli paintings consisting of the Dante illustrations lie in their being executed only in outline. They were initially scratched into the parchment and overdrawn with slate and ink. Some of the ink tracings were done with utmost care, others were less advanced while little progress was evident in the execution of their coloring.
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