If you think you might want a career as a photographer, and love people, you should consider concentrating your efforts on becoming a portrait photographer. The clients who are posing for you probably won't be professional models. You will have subjects that come in every shape, size, and color. The professionals have some tricks they use to create the sort of woman portrait photography Los Angeles clients love.
It is important to meet clients before the shoot. During the initial meeting you can discuss what your client's goals are with the photos you will be taking. That will help you determine the best backgrounds, hair, makeup, clothing, and poses for the shoot.
You have to find out something about the client's personal life. You need to get a feel for her hobbies, interests, and professional endeavors. After you have a sense of the client's personality you will have a better idea of the kind of photo you want to take.
Everyone has a more flattering side, and it is not unusual for the women you photograph to have strong opinions about which side is her best. You may not agree with the client, but you're going to have to take her concerns into account. If you ignore her opinions, you might end up with what are to you fantastic photos. The client will probably hate them however. As you gain experience, you'll learn to adjust your lighting and camera angles to maximize the client's best features.
You have to pay special attention to the subject's legs. You want to avoid awkward angles that give the appearance of stiffness. If you are photographing a mature woman you might have her seated with her legs crossed. This is usually flattering and makes her look graceful and poised. Younger women can be posed sitting on the ground or leaning against a tree with their ankles crossed for example. Bending the leg in some way softens the pose.
Along the same lines, you must address the problem of what to do with women's hands. Because they are not professional models, it can be difficult for them to know what to do. You could suggest holding their faces with their hands, interlacing fingers casually in front of them, or intertwining their hands in their hair as ways of solving the problem. Once they are comfortable with where their hands are, women are more likely to relax.
Looking fat in their pictures is a universal concern women have. If you are going to succeed as a portrait photographer, you have to learn how to use camera angles to avoid that. A trick used by many photographers is photographing the subject with the camera looking slightly down on them. This elongates the neck and defines the jawline. You can't create an angle so severe the subject has to look straight up into the camera however.
You have to learn to take advantage of the environment. Photos where the wind is rifling through the woman's hair and sunlight is reflected in her eyes are always interesting. If the weather cooperates you should consider shooting outdoors in open shade.
It is important to meet clients before the shoot. During the initial meeting you can discuss what your client's goals are with the photos you will be taking. That will help you determine the best backgrounds, hair, makeup, clothing, and poses for the shoot.
You have to find out something about the client's personal life. You need to get a feel for her hobbies, interests, and professional endeavors. After you have a sense of the client's personality you will have a better idea of the kind of photo you want to take.
Everyone has a more flattering side, and it is not unusual for the women you photograph to have strong opinions about which side is her best. You may not agree with the client, but you're going to have to take her concerns into account. If you ignore her opinions, you might end up with what are to you fantastic photos. The client will probably hate them however. As you gain experience, you'll learn to adjust your lighting and camera angles to maximize the client's best features.
You have to pay special attention to the subject's legs. You want to avoid awkward angles that give the appearance of stiffness. If you are photographing a mature woman you might have her seated with her legs crossed. This is usually flattering and makes her look graceful and poised. Younger women can be posed sitting on the ground or leaning against a tree with their ankles crossed for example. Bending the leg in some way softens the pose.
Along the same lines, you must address the problem of what to do with women's hands. Because they are not professional models, it can be difficult for them to know what to do. You could suggest holding their faces with their hands, interlacing fingers casually in front of them, or intertwining their hands in their hair as ways of solving the problem. Once they are comfortable with where their hands are, women are more likely to relax.
Looking fat in their pictures is a universal concern women have. If you are going to succeed as a portrait photographer, you have to learn how to use camera angles to avoid that. A trick used by many photographers is photographing the subject with the camera looking slightly down on them. This elongates the neck and defines the jawline. You can't create an angle so severe the subject has to look straight up into the camera however.
You have to learn to take advantage of the environment. Photos where the wind is rifling through the woman's hair and sunlight is reflected in her eyes are always interesting. If the weather cooperates you should consider shooting outdoors in open shade.
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