Jumat, 21 Maret 2014

The Rightful Archetypal Renaissance Man

By Darren Hartley


Two of the most influential works in fresco in Western art history are Michelangelo paintings. They are renowned regardless of the low opinion of painting Michelangelo has. These works are the Genesis scenes found on the Sistine chapel ceiling and the Last Judgment painting on the Sistine Chapel altar wall. The Sistine chapel is found in Rome.

Aside from his Michelangelo paintings, Michelangelo di Lodovico Buonarroti Simon is also famous for his two sculptures, namely, the Pieta and the David. These sculptures were made before this Italian Renaissance painter, sculptor, architect, poet and engineer turned thirty.

As an architect, he revolutionized classical architecture by using plaster as the main element in his design of the dome of St Peter's Basilica also in Rome.

The Michelangelo sketches are among the earliest of Michelangelo paintings. The volume of these surviving sketches, together with correspondences and reminiscences, make Michelangelo the best documented artist from the 16th century.

The title of the archetypal Renaissance man is referred for the individual whose continuous curiosity runs parallel with his inventive skills. Only two artists have been under consideration for this honor, Michelangelo and his fellow Italian and rival, Leonardo da Vinci. Michelangelo earned his berth for the title from his versatility in the disciplines of the highest order. This versatility Michelangelo was able to attain despite the low number of forays he made beyond the arts.

Da Vinci paintings include the Mona Lisa and The Last Supper. These two Da Vinci paintings occupy unique positions in the art world as the most famous, most reproduced and most parodied portrait and religious, respectively, paintings of all time. Their fame is approached only by the Creation of Adam, by Michelangelo, Da Vinci's rival and co-Italian painter.

Primarily known for his Da Vinci Paintings, Leonardo di ser Piero da Vinci was not only a painter but also an Italian polymath, being a scientist, mathematician, engineer, inventor, anatomist, sculptor, architect, botanist, musician and writer, in various stages of his life.

The Vitruvian Man drawing is among the iconic Da Vinci paintings. Unfortunately, the number of surviving Da Vinci paintings is very minimal, pegged at 15. This low survival rate has been attributed to Leonardo's constant and often times disastrous experimentation with new methods. His chronic procrastination of his works was also a contributing factor.

However, these few Da Vinci paintings comprise a contribution to later generations of artists, together with his notebooks, containing drawings, scientific diagrams and thoughts on the nature of painting. Again, this contribution is only rivalled by the corresponding contribution of his chief rival contemporary, Michelangelo.

It was after studying in the studio of a renowned Florentine painter, that the earlier Da Vinci paintings came to life. The painter we owed this debt to is Verrocchio.




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