The anime comedies are usually wrapped fantasy adventure in less than emphasized cartoon. The typical twisted Japanese humor tends to compromise on some of realism. Has there including the 1998 visually original Kareshi Kanojo no jijo ("boyfriend's and girlfriend's circumstances, " the above-mentioned Hideaki Anno) and Azumanga Daio (new anime trailers).
This is often highly non-realistic cartoon based on the science fiction or fantasy has become widespread, partly because the animation technique is suitable for such film and TV productions. Special Effects blends easily into environment in a more natural way. Cartoon got his international breakthrough thanks largely to 1988 Akira. The film was directed by Katsuhiro Otomo and portrays a dystopian future society in a style that characterizes cyberpunk. When Otomo after nine years of work in 2004 released his next creations, Steamboy, cyberpunk had been exchanged for steampunk in a fictional Victorian England.
Social Realism is uncommon in cartoon, like in another animation, but the film Tokyo Godfathers as well as some works of Isao Takahata and Mamoru Oshii can be mentioned. Many productions without the fantasy element is however possible to find, and often these are historically located. The classic Versailles no bara ('Versailles' rose') of 1979 directed by Osamu Dezaki set during the French Revolution at the court around Marie Antoinette. Samurai Comics, there are many of such Ruroni Kenshin (1996) and Shura no Toki (2004).
In science fiction genre deserves TV series Cowboy Bebop 1998 by Shin'ichiro Watanabe mention. Samurai Champloo, a kind of sequel to Cowboy Bebop (though based in Edo-period Japan with a soundtrack of hip-hop rather than jazz) began airing in 2004. Space Opera series Ginga Densetsu eiyu (Legend of Galactic Heroes, 1982-2000), based on a book series by Yoshiki Tanaka, deserves a mention as the longest OVA series ever. It comprises a total of 162 episodes and three feature films. In addition, the record of most participating voice actor in an cartoon series.
Cartoon produced and published a number of ways in Japan. The majority ofll cartoon consists of television shows that at no time broadcast in Japanese TV. These are usually 13, 26, 52 or 104 sections long, because the series broadcast with an episode per week for shorter or longer cycles.
"Chibi" is not a genre but an abbreviation of style of cartoon and manga. This is characterized by small cartoon characters who are pressed to see the cute out. They are usually small and a bit chubby, with short arms and legs and larger heads. This form occurs mainly in comedies or when it should be a bit of fun. Even in children cartoon are they with. This style is used most when the figures get an extra strong feeling that when they get overly happy or overly sad. In these contexts, it can also be a lot of hearts, flowers, tears, and more.
The availability of cartoon is still very limited, and a few comics (mostly for children) has been broadcast in Swedish television. During the 80's were series Starzinger, Silver Fang, Robotech and Cobra out on VHS, and 90- and 00's broadcast series like Sailor Moon, Pokemon, Digimon and Yu-Gi-Oh! TV. The supply of imported DVDs have steadily increased. Since early 2007, the ZTV cartoon series during some weekday evenings. TV4 Science Fiction has on several occasions demonstrated Neon Genesis Evangelion.
The classic examples are Mobile Suit Gundam and Mazinger Z. Mention may also Full Metal Panic. The modern revival no genre was the 1995 Neon Genesis Evangelion directed by Hideaki Anno. The genre was transferred here to a deeper, more psychological level, bypassing the otherwise ubiquitous mechastriderna. 2007, the series Code Geass, which brought mecha-cartoon to a new level with more psychology and drama. It was produced by the studio Sunrise, which most is known to have been behind the Mobile Suit Gundam.
This is often highly non-realistic cartoon based on the science fiction or fantasy has become widespread, partly because the animation technique is suitable for such film and TV productions. Special Effects blends easily into environment in a more natural way. Cartoon got his international breakthrough thanks largely to 1988 Akira. The film was directed by Katsuhiro Otomo and portrays a dystopian future society in a style that characterizes cyberpunk. When Otomo after nine years of work in 2004 released his next creations, Steamboy, cyberpunk had been exchanged for steampunk in a fictional Victorian England.
Social Realism is uncommon in cartoon, like in another animation, but the film Tokyo Godfathers as well as some works of Isao Takahata and Mamoru Oshii can be mentioned. Many productions without the fantasy element is however possible to find, and often these are historically located. The classic Versailles no bara ('Versailles' rose') of 1979 directed by Osamu Dezaki set during the French Revolution at the court around Marie Antoinette. Samurai Comics, there are many of such Ruroni Kenshin (1996) and Shura no Toki (2004).
In science fiction genre deserves TV series Cowboy Bebop 1998 by Shin'ichiro Watanabe mention. Samurai Champloo, a kind of sequel to Cowboy Bebop (though based in Edo-period Japan with a soundtrack of hip-hop rather than jazz) began airing in 2004. Space Opera series Ginga Densetsu eiyu (Legend of Galactic Heroes, 1982-2000), based on a book series by Yoshiki Tanaka, deserves a mention as the longest OVA series ever. It comprises a total of 162 episodes and three feature films. In addition, the record of most participating voice actor in an cartoon series.
Cartoon produced and published a number of ways in Japan. The majority ofll cartoon consists of television shows that at no time broadcast in Japanese TV. These are usually 13, 26, 52 or 104 sections long, because the series broadcast with an episode per week for shorter or longer cycles.
"Chibi" is not a genre but an abbreviation of style of cartoon and manga. This is characterized by small cartoon characters who are pressed to see the cute out. They are usually small and a bit chubby, with short arms and legs and larger heads. This form occurs mainly in comedies or when it should be a bit of fun. Even in children cartoon are they with. This style is used most when the figures get an extra strong feeling that when they get overly happy or overly sad. In these contexts, it can also be a lot of hearts, flowers, tears, and more.
The availability of cartoon is still very limited, and a few comics (mostly for children) has been broadcast in Swedish television. During the 80's were series Starzinger, Silver Fang, Robotech and Cobra out on VHS, and 90- and 00's broadcast series like Sailor Moon, Pokemon, Digimon and Yu-Gi-Oh! TV. The supply of imported DVDs have steadily increased. Since early 2007, the ZTV cartoon series during some weekday evenings. TV4 Science Fiction has on several occasions demonstrated Neon Genesis Evangelion.
The classic examples are Mobile Suit Gundam and Mazinger Z. Mention may also Full Metal Panic. The modern revival no genre was the 1995 Neon Genesis Evangelion directed by Hideaki Anno. The genre was transferred here to a deeper, more psychological level, bypassing the otherwise ubiquitous mechastriderna. 2007, the series Code Geass, which brought mecha-cartoon to a new level with more psychology and drama. It was produced by the studio Sunrise, which most is known to have been behind the Mobile Suit Gundam.
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